#comparisons and possibilities and similarities and differences

[aroaceleovaldez]

one of the things that I found particularly interesting in Demigods of Olympus is that it finally gives the best direct comparison we've seen so far between Percy and another character's experiences in terms of academics and particularly ableist discrimination.

The way Zane describes his experiences and what we see in his POV is that, while he is similarly discriminated against for his "atypical" behavior and blame is placed on him, the only sorts of punishments he receives for this are relatively benign, such as an increase in counseling. (It is also notable that Zane is somewhat autistic-coded, such as having the "incorrect" scripts when speaking with adults and Sam explicitly reminding him to remember to make proper eye contact.) Percy, on the other hand, similarly experiences discrimination for "atypical" behavior, but whereas Zane is treated as "too smart for his own good" and given slaps on the wrist, Percy is automatically labeled as aggressive, destructive, and a trouble-maker based on preconceived assumptions about him and is more severely punished, such as being frequently expelled.

We rarely get this level of direct comparison between Percy's experiences and that of another character, particularly such similar experiences, so looking at the differences is really interesting to gauge what their different experiences with ableist discrimination is like - and how it could potentially tie into intersectionality and other forms of discrimination at play for them.

For instance, Zane's parents are generally heavily implied to be middle-class and/or generally financially secure, versus Percy who grew up poor, so it could be classism in combination with ableist discrimination. Alternatively, it could be intersectionality with racial discrimination, as neurodivergent behavior in people of color is significantly more likely to be punished more severely and labeled as aggressive or disruptive behavior due to racist preconceptions - particularly since we know Percy's experiences with ableist discrimination are also somewhat based on assumptions people make regarding his appearance. Both Zane and Percy are racially ambiguous - Zane's appearance essentially being completely unspecified, but Percy at least having some notable details such as having a deep tan complexion. If not racism, it could also be colorism, which in this context often has similar intersectionality. There's a lot of potential options.

It's just very interesting to me! I love having such a direct point of comparison to examine the experiences of two characters within.

[godsfavoritescientist]

The whole time I've been reading Flatland I've tried to picture what a comparable version of it would be for a 4 dimensional being visiting a 3 dimensional being. I've been picturing 4d vision as being able to see the entire surface area of a 3d object all at once, but now I think that might be comparable to a 2d person thinking that 3d vision only means being able to see all of the exterior edges of an object at once, without picturing any of the planes that connect the lines. I think a more accurate description of 4d vision might involve being able to see *every single* cross-section of a 3d object all at once, from *every possible* angle at once, as one coherent visual whole. And the idea of someone being able to see every single cross-section of a body all at once, brain and guts and everything, laid out all together as if on a flat plane, is a horrifying mental image

[starboy-squeakers]

Again not a dungeon meshi reader/watcher but every time I hear about that laois guy I get reminded of how my system had/has a hyperfixation on dragons so intense that we got that big fancy dragonology book and we treated it like the damn dragon Bible for like years

Now, obviously, we understand that there's different interpretations on mythical creatures, and no one interpretation on a dragon is necessarily gospel, but that multiple interpretations on the classic tale of beasts of scale and fire are completely valid and to be expected!

however if you call an Eastern dragon a coatl I'm going to come to your house and slaughter your family

[getyinyusedtoit]

i think it's great to have a love interest or romance that you consider to be the best ever. it is closest to your heart, perfect in your eyes, a standard that is above all others. but i also think you have to be able to separate yourself from it when consuming a new dynamic between characters you've never met.

[amelikos]

Spinel's kind of fascination with Friede..

I wonder if he is done playing with him for now (he said Friede was still worth playing with, which sure was a line of dialogue to have him say), or if he was "happy" when Friede got out of his trap in HZ044 and surpassed him in that one moment because it meant they were equals.

[gay-dorito-dust]

Can’t stop thinking the tall horror men of homicipher. I’m like 5ft something, so I know damn well these men tower over me…am I discovering something? Maybe 👀👀👀but I know I ain’t alone. TRUE STORY: Also there was this guy that came into my place of work moths ago with his family and he was TALL, bending down to get through the doorframe TALL but he was lovely.

So how do I imagine these boy would react if they see that you’re clearly ogling them for how tall they were.

Mr crawling

Given the fact that you’ve only seen him stand once, it was enough to have your jaw dropping to the floor. He was taller than the fucking doorway that he had to manoeuvre himself under it, and suddenly you’ve forgotten that you were being kidnapped by Mr Stitch, too intrigued by his height and now understanding why he had lied to you about his ability to stand.

He thought he would scare you but in fact made you feel the complete opposite, you loved how tall he was and you couldn’t get it out of your head, even when he’s back on his hands and knees to comfort you. The illusion had worn off and now you wanted to see him tall all the time, but you didn’t want to pressure him into doing so unless he felt comfortable.

‘You’re tall, really tall.’ You said in awe as Mr crawling coddled you against his chest.

‘Scared?’ He asked as though he was fearing your answer, which broke your heart as you nuzzled your face against his shoulder in an attempt of comfort.

‘No, handsome.’ You replied as Mr Crawling made chirps and purrs of happiness as he held you closer to him.

While he’s still not fond on standing to his full height, the fear of his intimating stature would chase you away one day embedded in his heavily, he would find some comfort in knowing that you loved his tall stature and love you even more for not forcing him to do something he clearly was uncomfortable with; preferring to shower him in kisses and remind him that whether he’s standing or on his hands and knees you loved him regardless.

Mr silvair

The man can feel your eyes on his back constantly. He knows he’s taller than most but the way you looked and admired his full height like you wouldn’t be able to anymore.

He wonders whether this was something only you seemed to have or whether other humans also felt possessed by the need to gawk at people above a certain height. Or was it just you that has this particular expression upon seeing his tall stature in general.

He would take notes of how his height seemingly did something to you that then triggered a chemical reaction within your brain to make you find his height appealing and possibly a requirement in finding your perfect romantic partner.

Or more specifically people of similar height to Mr Silvair himself or anyone close enough to his height to qualify. Mr Silvair soon deduced that you liked the domineering presence of someone much bigger than you, someone who’s able to drag you wherever as though you were nothing but weightless to them, almost like a ragdoll.

He’d soon find that this is in most cases considered a kink amongst you humans who found the height difference between partner rather erotic.

Mr Scarletella

Finds your content ogling of him flattering and thinks that it means that you were finally, finally reciprocating his obsession with you for your own obsession with him.

He’s another one who takes note of how you like how tall he is in comparison to you, always looking at him whenever he was entering the room, eyes widening when you see him having to bed down to get through the doorway, and your eyes never leave him even as he’s walking towards you; seemingly getting taller with each step until he’s in front of you and you’re looking at him in awe and hitched breath.

He’s obsessed with your expression each and every time and uses his height to his advantage. Such as doing things like putting his hand above your head and on the wall, looking down at you with those obsessive eyes of his as his smile seemed to widen upon hearing your breath hitch and eyes widen once more.

His height continued to elicit a reaction out of you that Mr Scarletella loved and adored and wanted to see more of in the future.

Mr Hood

Finds your constant ogling of his height interesting.

He didn’t know why you were so surprised he’s this tall, he’s been with you this entire time and it was only recently did your mind seemed to inform you of your Incredibly stark height difference, and bam! Suddenly he’s the subject of your constant staring and ogling as though it would be the last thing you did.

It was humorous to say the least and will earn you some head pats and cheek caresses that has you leaning towards his comforting and gentle touches.

It wasn’t something that you hide from him as half of the time you didn’t realise you were doing it until Mr Hood pointed it out with curiosity, meanwhile your left flustered as your mind held certain thoughts towards his legs, thighs and large hands.

Poor Mr Hood, he understood to some extent but after a certain point it’s better to explain to him that you find his height rather appealing to you in more ways than one.

[prince-geo]

literally pleased with almost all of the new atla trailer except as per usual, Zuko's scar, idk why studios are so scared to commit to the intensity of the thing, its supposed to be shocking and obvious and textured and the first thing you see... that's the point, Zuko is supposed to struggle with feeling like it defines and brands him before finally coming to the point in his journey where he defines it.

Hollywood/big studios are known to hesitate or straight up avoid properly and honestly and unapologetically showing people with disfigurements/disabilities/facial differences etc. with the realism they deserve. Which is a shame in general for representation and humanization but ESPECIALLY in this case as its minimization actively harms it's narrative purpose as well

I promise making the scar more intense (shrivel up the ear a bit, make it intrude in his hairline, make his eye in a permanent squint due to nerve damage, for god sake REMOVE THE EYEBROW IT WAS BURNED OFF) will not make Zuko "ugly", (the actor is incapable of looking ugly and also the implication that scars make people too unappealing? yikes) but will actually do the character and his journey justice, not to mention really show Ozai's brutality, another essential narrative tool. Especially when he's bald like hello??? It should be even more stark and intense when he doesn't have hair to distract from it and cover his ear!!!

When transitioning from 2D to live action, of course some visuals are up for interpretation but that usually involved ADDING detail because the constraints of having to stay on modeling frame to frame is gone, not minimizing, removing or airbrushing. Doing Zuko's scar right to me is absolutely essential and I'm disappointed they seem just as as scared to go there as I thought they might. It doesn't have to be gory, if you've ever seen burn victims in real life or in pictures or even cosplayers/artists who are skilled in realistic burn makeup you'd know its possible to balance realism with humanity. It's possible especially with their resources to avoid the "scary Halloween makeup" route while not holding back on the brutality of the original injury.

Budget is definitely not an issue, or "scaring the kids" considering this remake is likely aiming to go a lil darker in tone than the cartoon (which was already super dark with its target audience of nickelodeon 7 year olds so no excuses) Audiences SHOULD be unsettled and upset when they see him but not because he's hard/disturbing to look at but because we are human and do not want to imagine someone doing that to a child.

It's a deliberate choice out of the all too common fear/hesitation to allow someone who is destined to eventually become a protagonist and is meant to be sympathized with to be "too ugly" while this hesitation is very rarely applied to straight up villains (again we come back to media's historic villainization of facial deformity). It's a trend that's always ticked me off in fanart too. The boy's face was melted, for gods sake. Zuko was always portrayed as an attractive boy in the cartoon (fire nation girls fawn over him) even with the intensity of his scar which is something I've always admired! People exist with scars similar to Zuko's in real life, and should not only be permitted to be represented as good guys and/or as attractive when their scars are toned down to be "palatable"

Like I said there's more that I loved than didn't love about the trailer, that can be a whole essay on it's own but I needed to get this very specific vent off my chest because it missed the mark so hard and stands out like a sore thumb in comparison to all the other visuals that hit the nail on the head to me

[mac-tirs]

the usage of different types of english in elden ring

most human/tarnished NPCs we meet, like rogier, ansbach, and nepheli, use late modern english:

"a sorcerer, as you might have guessed. i'm looking for a little something, here in the castle. when i'm not hotfooting it from the troops, that is." - rogier, first meeting "general radahn. a pleasure to see you, after all this time. but those remains do not belong to you." - ansbach, upon summon for PCR

but older demigods like messmer, ranni, and morgott use early modern english:

"thou'rt tarnished, it seemeth. mother, wouldst thou truly lordship sanction, in one so bereft of light? yet… my purpose standeth unchanged." - messmer, pre-battle cutscene "thou needst not indulge them unduly, but they too wish to appraise thy worth. it hath been a passing long time since a newcomer entered my service, after all." - ranni, after agreeing to serve her

then there are the younger demigods, like miquella, malenia, and potentially melina, who use a later variant of modern english, similar to the tarnished NPCs we speak to:

"if we honour our part of the vow, promise me you'll be my consort. i'll make the world a gentler place." - miquella, post-PCR cutscene "the scarlet bloom flowers once more. you will witness true horror. now, rot!" - malenia, phase 2 transition cutscene

finally, the hornsent NPCs like the hornsent, hornsent grandam, and the hornsent spirits such as the one outside the whipping hut, who use late middle english similar to the english found in shakespeare's sonnets:

"fie, another? ... then, as that woman would surely say, we are in our purposes well aligned. but understand. your kind are not forgiven. the erdtree is my people's enemy. by marika long betray'd, set aflame." - hornsent, first meeting "all your resentment lingers yet... the raw stuff from which i shall surely forge a curse. upon the dastard messmer's head. upon marika's children each and all." - scorched ruins hornsent spirit

i find it interesting how different the usage of english is in the game, and i feel that it can be a hint on how to properly date an individual's occupation in the lands between/land of shadow. the hornsent, being a people much older than many in the lands between, use the most archaic version of english, while the tarnished and younger demigods use a form of english more closely related to our own in the current period. older demigods (and marika herself, as heard from melina's recounts of marika's spoken echoes) use a form of english more closely related to the period of transition from middle english to early modern english.

additionally, another interesting thing to me: mohg is almost certainly nearly the same age as morgott (since they're referred to as twins), yet he speaks a little differently compared to morgott:

"tarnished, thou'rt but a fool." - morgott, post-battle dialogue "dearest miquella. you must abide alone a while." - mohg, pre-battle cutscene

this makes me wonder if it's possible that, assuming that miquella's verbiage is indicative of his younger age in comparison to the older demigods (aka the demigods born before the marika/radagon union), miquella's charm altered mohg's perception enough to also alter his manner of speaking and carrying himself in some way. if his pursuit of finery (dressing in embroidered robes and handling himself with poise, juxtaposing his bestial growls and strength) was mainly done in an effort to fit into miquella's ideal of a consort. of course, mohg could just be as vain as he seems to be all on his own accord, but i find that it's interesting to entertain the idea that even his current state of being was due to miquella's charm.

i'd love to hear what others think about this. i'm not very learned when it comes to english (it's not really my first language), but i find this all very cool to think about.

[taylor-titmouse]

i've been seeing it popping up again with the ao3 stats that just came out, and it's something that's nagged at me for a while in porn spaces, and let's be real--fanfic spaces and porn spaces are more similar than they are different--but there's this bizarre sense of entitlement to representation from the audience of what are unambiguously self indulgent creative works.

with fanfic i usually see it as complaining about a lack of f/f in comparison to the predominate m/m. in porn, it's usually a lack of certain body types/genders. and what i'll see is anger that those things aren't represented enough by artists/authors to suit the audience's taste. there's not enough f/f in my fandom, people aren't drawing characters that look like X enough, etc. and it just seems so... pointless?

you can't strongarm individuals into making the work you want them to make. you can't bully somebody into an interest. you can invite them to examine why they might not be interested in certain things, and they may come out the other side of it with a new perspective, but you can't force it. there is always the possibility of "i see why someone could be into that, but I'm still not and don't want to make work about it." and where do you go from there? people are just not going to be interested in or attracted to everything, no matter how you moralize it.

if you want to see more of something in an entirely self-driven space like fandom and porn, you have to make it yourself, or find the money to pay for it. fandom authors and porn artists are not beholden to a publisher deciding what they get to spend their precious effort and boner on, no more than they are beholden to you.

[jayrockin]

Would it be possible to classify Talita as "Cis" or "Trans"? Or would applying terms like that to her gender just make sense? At first glance, you could say she is cis since she is (I think) biologically female, but centaur gender roles dont really bear a semblance to any human culture so idk

She's xenogender. She identifies as an exotic alien gender (woman). I guess you could call her cis because of the similarities between female centaur anatomy and some human anatomy but the social organization centaurs have around sex are quite different than our own, so her being "cis" has limited comparison to a cisgender human woman.

[uno-san]

Bill Cipher Vs. Self-Hatred

Howdy y'all! Today I just wanted to go over some thoughts I had over everybody's favorite triangle that may or may not have occurred to some of you already. Naturally this will contain Book of Bill Spoilers.

To start off our little essay I thought it would be important to first sum up my thoughts on one of Bill's more complicated relationships: Stanford

Now we've all seen his dynamic with Stanford plenty of times in the show but with recent information coming from both the Book of Bill and thisisnotawebsitedotcom.com more light has been shed on the subject from both Bill's perspective and Ford's.

There's more than meets the eye when it comes to dissecting Bill's interactions and thoughts on Stanford, with the ever enlightening "EVEN HIS LIES ARE LIES" making theorists scratch their heads. Within the Book of Bill are these codes and their meanings: hbh grfwru ri d gliihuhqw nlqg/ zkr zdqw wr pdnh klv sdwlhqw eolqg

eye doctor of a different kind/ who wants to make his patient blind

Qeb alzqlo pxvp/ qeobb pfmp x axv/ tfii jxhb qeb sfpflkp/ dl xtxv

The doctor says/ three sips a day/ will make the visions/ go away

Ixvvb hdwhu/ edeb eloob/ zrxogq'w gulqn/ xqohvv lwv vloob

Fussy eater/ baby billy/ wouldn't drink/ unless its silly

As well as:

Finding out that both Stanford and Bill have a genetic mutation that made them Black Sheep suggests the possibility that Bill saw a kinship within Stanford. After all, he did make the offer for Stanford to join him. No doubt being able to sympathize with Stanford's situation yet misreading his motivations, causing the rift in their once savable relationship once Bill's lies were uncovered.

Now I'll admit it was others who came up with this theory in particular, especially when drawing comparisons of how Stanford was treated and how Bill allegedly was for having a strange eye. Stanford, in some form of other, might represent how Bill was before he saw the destruction of his world by his hands. A mere outcast looking for his place in the world. To be believed rather than ridiculed or "fixed".

Self-Hatred

And now we get to the Bill we all know today:

The chaos loving and nightmare inducing three-sided maniac, who may be hiding more insecurities than he ever let on in the show, thanks to the Theraprism.

Someone far more traumatized

Who's had to convince himself to fully be the bastard he is today

But if the theory that Bill had a type of kinship with Stanford thanks to their mutations was true, then wouldn't it be possible that his relationship with someone else might represent the inner struggle with himself?

For you see, the original title of this post was...

Bill Cipher Vs. Stanley Pines

As my own theory is that Stanley Pines is what Bill decided to project his self-hatred on. Nobody can doubt that the two have similar qualities, yet as I read the Book of Bill and thisisnotawebsitedotcom I couldn't help but notice the absolute malice that Bill has for Stanley whenever he's mentioned.

There have been many opponents before that have strived to take Bill down. Whether that was the Shaman, the Anti-Cipher Society, or Time Baby, none of his interactions with them have appeared as vitriol as compared to Stanley.

Not even Stanford has this same reaction, who, by really no contest, was the closest to ever defeating Cipher by himself. Both with the gun that he near successfully killed Bill with and the secret of the barrier of Gravity Falls he refused to give up. Bill didn't even have a real interaction with Stanley until the last episode.

Yet it isn't Stanford that causes Bill to break while he's in the Theraprism. It's Stanley.

"-A resume-inflating, cheap trick loving, past-denying overgrown child protected from failure only by a force field of DENIAL AND shamelessness!"

"Self-pitying"

"Stupid"

"Smug"

"Hack Jokes"

"UNWORTHY"

Now it could be just me, but those are a lot of specific insults to fling somebody's way that you've barely interacted with. Especially if Bill credits the Twin Swap to Stanford entirely as opposed to allowing Stanley the credit.

"STEP RIGHT UP, it's time to play my FAVORITE GAME!! BOOTLEG SIXER over HERE spent a LIFETIME trying to hide his humiliations, BUT I'VE BEEN INSIDE HIS MIND, so NOW they’re ALL YOURS for the low low price of BEING MY NEW PAL! ITS SHOWTIME FOLKS, AND THE ONLY WAY TO LOSE IS TO BE NAMED STANLEY PINES!"

“SHAME:TM - IT'S THE ONE FRIEND WHO NEVER LEAVES!”

This out-of-character hatred doesn't come from the fact that Bill thought Stanley wasn't worthy, it comes from the fact that Bill sees himself in Stan. Who by all means is a lying and conniving screw up. Somebody who let his family down.

This could possibly be proven by the poem Bill had wrote about Stanley:

The whole poem suits my point but I decided to highlight the sections that caught my eye specifically. That when you put into consideration Bill's clear trauma and regret about the Euclidian Massacre, his own words can clearly be flipped back on him.

That he sees himself as a curse and a mistake. A self-made monster. Someone who's left the past behind when the loss of his home is still on his mind.

And what truly gets under Bill's skin about Stanley Pines?

"He got his life and family back.

His big break, it finally came,

Redemption from a life of shame"

Stanley got back what Bill can't.

[alostwanderernotfound]

Why do sometimes really weird & unexplainable things kind of happen?

Looking at the Theoretical Intersection between Anatomy & Physiology & Electronics

***This is coming from the perspective of attempting to explain (in the most simple ways possible) how foreign advanced technology possibly “hacks” the foundations of organic life. ***

Our bodies are composed of nerves. When electricity goes from one nerve and travels to another nerve then an action occurs. When something in our environment is sensed (like hearing a noise) our organs are able to sense the information & produce electricity to carry that information back to the brain to be processed.

Anatomically we have the brain, the spinal cord, our sensory organs, cranial nerves, and “all the other individually named nerves” that branch off of those.

(There is further differentiation between central nervous system, peripheral nervous system, & autonomic, and other ways to differentiate in anatomy and physiology, but for simplicity this is how I will refer to it).

Cranial nerves are differentiated out on the list in comparison to “other nerves” because they are a specific list of major nerves that do very important & essential functions in the body.

So, nerves act as a path for electricity to follow. This electricity can produce voluntary action or involuntary actions.

Choosing to raise your hand we consider voluntary action produced by the nervous system. When something occurs without your conscious choice & occurs automatically, it is considered an involuntary action of the nervous system. For example, your heart beating would be an involuntary action.

Nerves have gaps between them & in this space neurotransmitters are released. Neurotransmitters are chemicals with the ability to cause another nerve to have an action. Neurotransmitters have different actions at different places in the body. After neurotransmitters are released they stay in this space until they are broken down by the body. The body breaks down the neurotransmitters and attempts to recycle the components to be used to make other things in the body.

Our bodies are able to use electricity because of many processes, but one major one is because we store electrolytes. Our organs and tissues use electrolytes like Sodium and Potassium to create electrical charge. This “electrical spark” causes electricity to generate so that it can be conducted through the nerves.

The human body is very complex & requires more than just electricity to function due to many components of its design, but each neuron as an individual unit is incredibly similar functionally to wires bundled into computer cables.

How does this process intersect with technology?

If someone were to attempt to hurt you with insidiously with technology it could create A LOT of very weird experiences.

If you know how to electrically stimulate parts of the body, like if you put an electrical stimulator/microchip/or another component that alters electricity in someone’s nervous system you could do a lot of weird things that people with no medical background would struggle to explain.

Machinery causing electrical impulses or “shocks” to be sent to certain part of the brain can produce many effects.

If someone sent electrical impulses down the cranial nerves it would produce a wide range of effects.

If certain cranial nerves were stimulated by someone controlling a technological component then someone could cause your body to involuntarily do the following by stimulating one of the 12 cranial nerves with electricity:

Involuntarily, as if your body moved on its own, you could feel the following:

> Your eyes to move in a certain direction, like your eyes are “locking on” to an object. Similar to how a computer program is able to “lock on” to a target

> Cause your vocal cords to move even when your mouth isn’t open

>Jaw movement & other motions of the face

>cause vertigo/dizziness/altered proprioception or your sense of orientation in space. So a lot of the symptoms of being inebriated

>control of your tongue muscles

> ***Vagus nerve or cranial nerve 10 does a lot, tampering with it could do a lot of weird things *** Possibly weird respiratory and/or internal organ symptoms like shortness of breath, changes in swallowing like dysphagia, vocal hoarseness, & many other possible and serious side effects

> Specific neck movements & turns of the head

You could also produce the sensations in someone of:

>hearing voices that aren’t there or altered processing, they talk but it’s like you can’t understand

>hearing sounds that aren’t there or altered hearing

>seeing images that aren’t there or altered sight

>smelling things that aren’t there or altered smell

>feeling things that aren’t there or altered feeling

>tasting things that aren’t there or altered taste

All of these actions and the degree to which you could “control it” would vary. Some of these are more technically complex to do, but at the most basic level “micromovements” from even just these few nerves are highly likely.

Our bodies have more than just electricity that contribute to our ability to do voluntary control as a defensive system to prevent these types of tampering events from occurring, but I think on a basic level it would still be possible to do some of these micromovements.

Without a lot of technological advancement required, the most worrying to me is a combination of seizures (which can occur when you just overload something with electricity) and/or lots of trauma producing something similar to disassociation & making people hear voices. It unfortunately often produces a mind control like feeling where other people attempt to control and/or influence your behavior.

I think in the quest for mind control, some very bad people use these types of things to hurt other people & technological advancements in subliminal messaging have greatly hurt the world through our time.

In order to fix things I think we must first understand them.

[beaulesbian]

One Piece Live action season 1 + hints or similarities to future One Piece moments (specifically after East Blue saga) - part 1: episodes 1-3

This wasn't meant to be a comparison between the live action and the animanga, but more so seeing these added/modified scenes that differ from the manga, yet with some of the acting/writing includes clues and hints to different and future canon material, or even characterization that necessary doesn't fit East Blue yet, but fits well enough into later arcs.

Luffy not knowing his world directions both in Opla (ep 1) /// Skypiea arc, in anime ep 168. But it could be for honestly any other arc (Funny thing is, in Opla he rang the bell that unfortunately alerted Alvida's crew, and only when I was rewatching that scene it made me connect it with the great Luffy moment at the end of Skypiea.)

The matches that Zoro has on the Island of Sixis in Opla ep 1, possibly manufactured on Baldimore (?), with a name Beast of Baldimore. /// After Sabaody Archipelago Franky was sent to Baldimore by Kuma, finding Vegapunk's homeland and laboratory, and also developing more of his science projects, as well as causing funny incidents, such as the Burning Beast. (It has probably nothing to do with the matches, except for the 'tiger on fire' motif and the name of Baldimore, but the details of Opla are just so fun!)

Zoro's first meeting with Luffy in Opla episode 1 is really different but fun nonetheless, especially with wording of the line that he doesn't want to 'play pirates' with Luffy. It's such a great setup line for his development to truly be one of the very first to understand how much Luffy means everything he's doing /// Zoro in ep. 323 Post Enies Lobby arc, making sure both his crew and the audience know how seriously he takes being part of Luffy's crew and what it means for future arcs.

Opla ep 2, Luffy mentioning Shanks' way of thinking about fighting (or not fighting someone who's not worth it) /// ep. 146 Jaya arc, Luffy saying to Zoro not to fight Bellamy's crew, which was direct influence from Shanks not fighting the Mountain bandits in the first chapters of the manga. It's interesting that for both of these scenes both Zoro and Nami are there to hear this.

This is just a fun bit, but seeing Nami excited about having a bath was cute. Opla ep 3 /// anime ep. 326, just after they get Sunny and everyone was finding out what space there is for them.

Garp and Koby playing the game of Go, Opla ep 3 /// CP0 agents playing Go while discussing the outcome of Strawhats & Oden's crew's raid on Onigashima against Kaido. It seems like a game that maybe Marines play more/enjoy (?) & above, up to CP ranks.

Usopp 'retelling' a story about eating a dragon, Opla ep 3 /// Punk Hazard ep 580, Zoro killing the dragon and planning with Luffy what's the best way to cook and eat it. Lol. In next chapters Luffy was carrying a big chunk of it, seemingly ate a bit part of the dragon already.

This one is self explanatory. Zoro is so gone for Luffy in Opla it's insane. Every time I remember that I get emo. ep 3. /// One of the first really fond smiles that Zoro keeps smiling at Luffy, a mixture of proud and understanding how Luffy works. ep 63, but it's just so much better in the manga, just look at it. Smitten™ (ch. 104)

[what-the-floofin]

So how do baby taurs work for the equitaurs and cervitaurs in your stuff?

Oh that's a good one actually - lots to talk about! Too much for one post, but gotta start somewhere. Enjoy some messy micro scribbles peppered throughout. They were originally very very tiny so, pardon blurriness.

I've got my Taurs running overall pretty similar to equine cycles and gestations - meaning they are what you call 'long-day triggered' by the spring and summer seasons.

(Though they do cycle throughout the year, just at slower rates and less consistently over cooler seasons)

This goes for the cervitaurs too - rather than using the shorter gestation of their deer alikes - as they and their foals are a bit bigger and more complex to deal with. Which also goes to suggest that twins/multiples are not a frequent occurrence for cervitaurs in comparison to actual deer, and inherently poses as much danger as it does for equines instead. Possible, but high risk and incredibly demanding.

So, you're looking at an 11 month gestation on average, and typically starting in a mid-spring to late-summer window. Which places most taurs at being born early-spring to mid-summer. It's most uncommon to be winter born, but not weird tbh.

Foals are super awkward, there's no getting around that, and in the first year they have a ridiculous growth rate when compared to other sentient creatures of similar lifespans.

These things are weeds - the difference from one day old to three months old is phenomenal alone. They are, however, cooked a little further along than what you'd be comparing to for a newborn human. They're able to support themselves enough to avoid outright injury (think like a 3-4 month old baby), but gaining actual control of all those limbs takes a bit more time. The equine half however would be a touch undercooked for a horse. Just physically, in size. No worries about comparative internal developments, that's all good and ready to go.

So they're typically gonna spend shy of their first month feeding and sleeping, practicing rolling up, sitting and limb coordination to build strength for self-standing. If mama has places to be, that baby is getting carried.

I also absolutely subscribe to the idea of arms being naturally held close to torso prior to having balance and coordination. It would support them a lot! Then it becomes a self-soothing gesture seen in the anxious, and an instinctive positional response when badly startled. Tuck in!

By three months you can expect them to be racing on their little stilt legs - albeit still with the occasional wobble and spill. And wowee did that happen fast when you think about it.

While the zoomies are a lot, they're balanced out by the fact that so much oncoming growth means foals crash nap very frequently. These buggers sleep a lot. It's go hard and sleep hard on endless rotation. Play, snack, nap, rinse and repeat.

This accelerated growth races away throughout their first year, and then drops right back into something a bit more reasonable - at least when you're considering it from the human perspective!

Yet in comparison to how they first started out, it's practically snail paced.

I'm meaning, you look at the size of a 3 month old horse foal, and that's the closest comparison to a 2 year old taur foal in body. Every 'horse foal month' thereafter starts guiding the next 'taur foal year' visual until you hit that yearling horse look for a taur when they're 10-11 years old. Then by that point, they've reached most of their full leg length, and the next 10 years is focused on finishing the bulking out of their frame.

(click to enlarge I hope) - Featuring my lass Thalo here haha

By rule of thumb I just have both equid and humanoid aspects grow in relative balance to each other, lanky stages and all. From the human perspective, the humanoid half grows crazy fast at first and then becomes comparatively similar. From the horse perspective, the equine half is crazy slow and always is. It would also give credit to having a higher physical durability than their animal counterparts. More time was spent growing!

It's worth noting that a lot of perceived 'weirdness' only comes from trying to compare them purely 1 to 1 with either horse, deer or human kids. Taurs are their own thing though! And nature's most consistent attitude is to Find What Works and Do it. No matter how wack, if it works it's used.

So, a rapid starting growth tapered into a much slower rate once they're stabilised and running was just the path that worked best for this Taur survival. Keep it simple!

There's always more to cover, but this is chunky enough for now. Whew!

[dreamsy990]

you know i used to think it was weird how sora and roxas have such different personalities for supposedly being 'the same person' but after playing a few games i sort of realized that they do have similar personalities, because roxas acts how sora does when he's under extreme stress.

compare roxas to sora in, say, kh1. that's where a lot of peoples idea of sora's personality comes from. sora is generally very upbeat and optimistic in that game. not very similar to roxas, right?

but let's switch the game and talk about a game where sora is ABSOLUTELY GOING THROUGH IT. chain of memories.

sora's resting state is melancholy in com. he only ever cheers up in short bursts, usually when he's joking around with friends. just like roxas.

he's quick to anger, and tends to lash out at the organization members. best example of this is when larxene makes him 'remember' namine, and he swings at her repeatedly, even after she's gone. he only stops when jiminy is able to snap him out of it.

you know what scene that resembles?

sora, while a bit more on the angry side and less sad, continues to act like this in kh2 when he's in stressful situations. (he also has a tendancy to insult people which, while it's not very related to the point, is very funny and sora saying 'gonna cry?' to xigbar is great.) i cant comment any further than that about kh2 off the top of my head.

so, roxas acts like sora does when he's stressed, right? but why is roxas always acting like that? to which i say, he isnt!

he only ever acts like that when he's also in fucked up and stressful situations, which happens to be a CONSTANT in his life. but when he's hanging out with axel and xion, a decidedly NOT stressful situation, he's a lot more like sora. he's teasing his friends and insulting his coworkers and joking around and acting like a normal kid. not really important, but unless i misremembered some sora lines which is VERY possible, both roxas and sora respond to friendly insults with "oh thanks!" a lot. just a funny little detail that felt relevant.

the biggest differences between roxas and sora boil down to environment and... i dont know how to put it besides volume? roxas is very quiet and tends to keep most of his thoughts to himself, while sora is very loud and expressive in comparison.

there is one other huge difference i noticed, which is less character based and more story. sora wanted to get off destiny islands and explore with his friends, but roxas just wanted routine. sora wants adventure, and roxas wants things to stay the same, for days where he gets off work and eats ice cream with his friends to last forever, to keep having conversations about nothing and watching the sunset. roxas wants normalcy, sora wants excitement. it's just interesting seeing their contrast.

not sure if this is very well said or anything i just wanted to talk about my boys

[prying-pandora666]

The Cast and Crew Don’t Deserve Your Hate

I know many of us feel hurt and betrayed by NATLA. I know this. I feel the same.

Please stop cursing Albert Kim and the production crew. The fact is, he inherited a huge mess that was already behind schedule. Studios nowadays want the fastest turn around possible and are willing to pour money into projects.

But not time.

I’ve said it before, but LOTR is the absolute gold standard for production. They took years of pre-production time to hand craft their costumes and props and wigs. They hired artisans to hand make tunics and chainmail by hand. They sourced and layered real human hair for their hair pieces. It was incredible.

GOT also attempted something similar though not nearly at the same scale.

That’s why both of these productions have such fantastic and realistic feeling costumes, wigs, and props.

Modern studios just want fast turn around. They’ll pour in money but they want it fast. That’s why the modern takes on LOTR and GOT (ROP and HOTD) look like mediocre cosplay by comparison. The stylists are doing their best, but there’s only so much you can do with so little time.

That’s exactly what’s happened here. You can tell in how awful all the wigs and beards look, even compared to the Shyamalan film of all things! It’s why you can see machine stitching and the fabrics aren’t thick enough to pass for animal pelts. It’s why Iroh’s beard looks like it’s going to fall off, and Yue’s hair looks like a Lego piece, and Azula’s bangs are visibly attached extensions of a completely different sort from the rest of the synthetic wig. It’s why Zuko’s scar looks like a birthmark and not a burn.

It’s why the bending, despite having impressive animation, doesn’t line up well with the actors’ movements and feels pasted on. Almost as if the artists and fight choreographers didn’t get to communicate and plan together.

It’s why the scripts are a poorly juggled mish mash of plots, with threads left to hang in the wind while others are so oversimplified that it feels like a playschool version of ATLA rather then the “adult” version it’s supposed to be.

And it’s why the the Chinese writing is grammatically a mess like they just ran it through Google translate.

I have nothing but respect for Albert Kim and the cast and crew that worked tirelessly to bring this disaster to life under these conditions.

I worry about the poor crew being put through some awful crunch time for this show…

Yes it’s bad. But it’s not only bad as a piece of media. It’s bad as an indicator of what studios prioritize now, and it’s neither audiences nor their own staff.